Witnessing Change: Ukrainian Cinema in a Time of Turmoil
February 1–22, 2024

“Boasting a formidable cinematic heritage that stretches back to the early days of film, the country has recently seen a renewed flowering of auteur cinema.”
Jonathan Romney, Sight and Sound
Ukrainian cinema had a very difficult start. For decades, it laboured under the strict guidelines of the Soviet cultural apparatus, which instrumentalized cinema as a vehicle of propaganda. During the 1960s, a period known as the Thaw (Перебудова), restrictions on artistic expression were loosened. Ukrainian filmmakers used their newfound freedom to develop a “poetic cinema” in which they explored more personal questions of Ukrainian identity. This period produced some of the nation’s most famous and, arguably, greatest films. After Ukraine regained independence in 1991, Ukrainian cinema struggled with endemic underfunding until its revival in the early 2000s when the government began allocating more money for art and culture. Today, under the duress of an uninvited war, Ukrainian cinema is again under material threat.
“Witnessing Change” provides an overview of the evolution of Ukrainian cinema from its earliest incarnations to recent works of note. The innovative techniques and perspectives found in the work of pioneering directors such as Oleksandr Dovzhenko, Dziga Vertov, Kira Muratova, Larisa Shepitko, and Sergei Loznitsa helped define Ukrainian cinema, just as they impacted cinema globally. Emerging talents, such as Antonio Lukich, Roman Blazhan, Nariman Aliev, and Roman Bondarchuk, continue these pathbreaking traditions.
Spanning nearly a century of cinema, the films in this series touch on issues that continue to shape Ukraine and the Ukrainian diaspora: technology, demographic generations, political revolution, and war. Through these works, viewers can glimpse the complex history of the Ukrainian peoples’ ongoing struggle for self-determination. “Witnessing Change” aims to shine a cinematic light on a region that continues to strive for recognition, autonomy, and the preservation of its cultural heritage.
Alina Senchenko
Series curator
Opening NightFebruary 1 (Thursday)
7:00 pm – Reception
8:00 pm – Earth with curator introduction
More Info Co-presented with The Cinematheque Vancouver a film institute and media education centre devoted to understanding the art and history of Canadian and international cinema and the impact of moving images and screen-based media in our lives and Maple Hope Foundation, a Canadian not-for-profit organization committed to helping people suffering from the war in Ukraine. 50% of ticket proceeds will benefit the Maple Hope Foundation


Supported in part by the Shevchenko Foundation


The Ascent
Larisa Shepitko
1977
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Earth
Oleksandr Dovzhenko
1930
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Enthusiasm: The Symphony of Donbas
Dziga Vertov
1930
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The Long Farewell
Kira Muratova
1971
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Homeward
Nariman Aliev
2019
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Maidan
Sergei Loznitsa
2014
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My Thoughts Are Silent
Antonio Lukich
2019
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Volcano
Roman Bondarchuk
2018
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Brief Encounters
Kira Muratova
1967
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